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Home >> Photoshop Tutorials >> photography >> Page 5 >> Why We Hate Bright Sunlight

 

Consider the LCD, with us since the first digital camera. Tiny, wonderful window that makes our cameras a combination Linhof-Leica. Excellent composition-focus device except for broad daylight!

Ever since the first murky shadows appeared in the Casio LCD, digital photographers have cursed the fact that bright sunshine and the glass coatings of LCD equal invisible.

I have castigated manufacturers in reviews for designing cameras with only an LCD. The early Agfas and Casios were particular offenders. And I've wondered many times why some manufacturer couldn't design a Rollei-like hood that pops up at the flick of a fingernail.

When I bought my first Nikon CP950, the search for a hood was one. First came a home-built one from a Jergen's baby powder plastic jar.

With its ends cut out, the magnifying lens of an inexpensive loupe taped in one end, and the entire works wrapped in plastic tape, this jerry-rigged contrivance worked just fine with my telephoto adapter in place. When the lens was in focus, the grain of the LCD popped out.

Next, I applied a liberal coat of black masking tape to a more expensive Horizon 4X loupe. Like its predecessor, it required a spare hand to cover the LCD but was sturdy enough to stuff into a pocket. The focusing eyepiece made diopter adjustment possible.

Then I heard about Hoodman http://www.hoodmanusa.com ! These guys are great, creating hoods for every conceivable device including my Nikon 990! At $19.95, the price was right (although not as cheap as the Jergen's) and the hood was light and portable. It slipped onto my 990 with an elastic strap and could fold up into a pocket.

But to be truly effective, I had to put my eye up to the hood to block out the light and without a focusing lens, the hood is as useless as none at all.

The latest find in my search for the perfect viewer comes from Bob Schwartzman of Technical Innovations. The OPT-X is a simple bellows with focusing eyepiece that attaches to your digital camera by means of a base that screws into the tripod mount. The rig is adjustable to fine tune the fit to the camera's LCD. I found it just barely cleared the bottom menu buttons and prevented changing batteries without removing the viewer. No big deal.

In use, the bellows can extend to nearly four inches to provide a sort of diopter adjustment for the user's eye. The fairly stiff bellows stays in place during use. The Pro model includes a tripod mount screw drilled and tapped so that the rig can be used on a tripod.

The OPT-X is a first-class accessory for Nikon 900 series, Olympus 2030-3040, Canon G-1, Kodak 4800 and Sony 75. In addition, Bob says he can build an OPT-X for any digital camera, providing the owner will ship him the camera for a few days.

 

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