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Home >> Photoshop Tutorials >> photography >> Page 7 >> Reality Photography

Reality TV has become a societal watchword. Reality like the time the man-eating gerbils overturned Aunt Martha's golf cart in Bermuda has made us a world of tourists who won't leave home without a videocam.
The "world's most amazing (read terrifying, gruesome, stupid) videos" preceded "Survivor" and goosed the sale of Sonycams like no one could imagine.

I got a dose of reality this afternoon and am glad (1) that I had my digital still camera charged and at hand and (2) that there was no tragic aftermath for me to profit from.

I've been an airship enthusiast all my life – born a few years too late to witness the last of the dirigibles – and will always pull out of traffic to watch a passing blimp. Blimps are a familiar sight in the Tampa Bay skies, especially around big sporting events such as the coming Super Bowl.

Further, the MetLife blimp – Snoopy I or II – seems to have its winter quarters here this year. Every time I hear the familiar whir of its engines, I pick up my digital camera and step outside my studio to get a picture.

This afternoon, the whir was louder than usual. Much louder. I grabbed my Nikon 990 and ran outside to see the familiar Snoopy logo just a few feet above the trees in my side yard, nose pointing down. I shot the first picture.

The blimp continued its downward course, curving around toward our front yard. I ran there and shot the second picture just before it adjusted its attitude.

Then, with a new roar of engines, it turned slightly and pointed its nose into a steep climb. My third picture captured it a block away with our street sign in the foreground.

My final shot has the blimp at a safe altitude and cruising sedately west toward the Gulf of Mexico.

Having worked with an experimental airship development team, I know the blimp behavior I witnessed above my yard was abnormal. For years I've hoped my wife would surprise me with a blimp ride. How she'd do this, I'm not sure.

But I knew the Snoopy wasn't coming to pick me up at my door. I'm thankful that it was just an extraordinary low-altitude maneuver and not a tragedy.

What's the digital camera point of all this. First, an unusual even occurred and thanks to my digital camera, I was able to capture it in pixels.

Second, my son is a blimp fan also and I had downloaded them, Photoshopped ‘em, saved high-res and 100ppi JPEG images and emailed them to him – exactly 10 minutes after the first shot. Then in my enthusiasm, I attached the images and shipped them off to about 80 friends who I thought my be interested.

What's amazing to me is that with a couple thousand dollars worth of technology, I was able to emulate the work of the great news gathering services and networks and probably faster, since even non-news doesn't happen in their backyard.


First chads, now nits.

First report on camera testing. Using a bunch of unfamiliar digital cameras in a short period can be fun, and a pain in the wrist. Especially if the camera in question doesn't have a neck strap. That's nit number one that I pick with these thousand buck investments that ship with a tiny G-string wrist strap.

I mean, even a Czarina would not appear in public with an investment like that dangling from her wrist by a piece of dental floss. Expensive cameras should be worn. Around the neck. Or at worst, over the shoulder.
Yep, this is a rant about good design gone bad. Along the same line, how about SmartMedia card slots too narrow to retrieve the memory card without forceps? I fear that SM cards are fragile to begin with and pulling them with a needle nose pliers can't be a healthy practice.

Andy Rooney would agree with me on my vent about cameras that ship with expensive proprietary batteries and require an "optional" recharger and rechargeable battery for about 100 bucks. So this "lower cost" camera eventually costs as much as its bigger brother.

I'm not wild about batteries that require in-camera charging, either.

Wee buttons are for wee people. I'm equipped with big fat fingers and they're not happy with buttons designed for use by a rhesus monkey (ever look at the fingers on those dudes?). I would rather wear a two-pound camera around my neck than carry a five-ounce gizmo in my pocket if I can't use the buttons to control it.

Ditto for other camera features/non features. The hand grip (battery cover) is too close to the camera body to get a good grip on one otherwise stellar model already tested.

Snap-on lens caps. The Nikon e-group has had hundreds of posts about where to buy replacements. Since digital cameras will make pictures with the lens cap in place, why not throw the bloody thing away and forget about replacements.

You get my point. Another batch of test cameras is arriving and with it, a new batch of nits to be picked, a new crop of manuals to read and comprehend.

 

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